In the development of furniture design in modern Europe, there has been a confrontation between “avant-garde†and “mainstreamâ€. The main difference between the “avant-garde†and “mainstream†designs is that the “avant-garde†emphasizes the use of design to communicate. They require that the design must strongly express the designer’s ideas, not only as problem solvers and innovators, but also It is about expressing their personal understanding of the relationship between furniture and users/consumers, furniture production and society. The avant-garde and mainstream design furniture look very different, mainly because the more intense the idea of ​​communicating through furniture, the more components of the design.
Richard Buchanan has defined the nature of this type of communication semantically. What Buccini said is that a design itself has a powerful theme. Whenever a user considers or uses the object, it must be controversial between the two. According to this semantic theory, the theme of design contains three related elements, which provide the material and form of design communication, which is the rationality, characteristics and emotion of technology.
The first element, the rationality of technology, demonstrates the foundation of the design theme, which is based on two premise, the understanding of the scientific principles of nature and the structure of the objects used, and the tastes and values ​​of potential users. Identify and actually use the physiological conditions. The rationality of technology is not an indirect feature of the relationship with the design object, but is closely related to potential users. It becomes the basis of furniture design, for example, it can be implied or directly translated into the actual requirements of the taste and values ​​of potential users.
The second element, the feature, is the most important aspect of any design theme, because it reflects the way the designer uses it to express the objects he creates. Designers can also use it to cover technical flaws when features and technical rationality complement each other and increase the appeal of the work.
The third element, emotion, for example, is particularly important for the semantics of a chair, because the power of emotion can be derived from the physical contact with the chair and the expectation of the chair function during the past, during and after use. get. Many emotions are transformed from the experience of sports, which is why the emotional theme of design is so powerful and moving; it shortens the psychological distance between objects and users, guides them to agree with this design expression, and makes them willing to The place to use it.
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Automatic wrapping machines
The automatic pallet wrap machine does not need the intervention of the operator, neither in the hooking stage of the film or in the final stage of the cycle, the pallet reaches the machinery through a conveing system, which will place the pallet correctly at the wrapping position; here the machine proceeds by wrapping pallet according to the program set previously by the operator, or selected automatic by the infeed line. Once the process has been completed, the pallet will feeded out, to the unloading point or automatic warehouse of the client.
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